Peter Walker
Tanner Fountain I was immediately drawn to this landscape due to its unusual nature. It is a very interesting and unusual way to explore a...
Thursday, 31 October 2024
Fantasia Initial Development
Sequential Journey Sketching and Poster
Tuesday, 29 October 2024
2D to 3D model Ideas
Sunday, 27 October 2024
Developing ideas for a 3D model
Thursday, 24 October 2024
Walking around Cheltenham
Tuesday, 22 October 2024
Creating my own geometric art
In lesson I was tasked with creating my own 2D geometric composition utilising two sheets of grids I was given, with one or two rectangles on each for a starting point.. Being a landscape architecture student rather than focusing just on the simple task I was given, I immediately began overthinking what shapes I should draw, imaging the space as a house and a garden. However, along with half the class, I was reminded this was not the correct way to approach the task as at this point we are just trying to develop are skills at composing geometric shapes and thinking of our designs as landscapes would come later in the project.
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| Empty grid sheet |
I completed exercise 1 first, trying my best to forget about where the shapes and just see what i could make from random shapes leading to a very simplistic composition. This is in contrast to exercise 2 where I thought more about where the shapes would go leading to a more intricate and layered design with some symmetry and greater balance. After finishing exercise 2 I feel more confident in creating this type of abstract geometric artwork as I think this is an improvement since the first exercise.
Tuesday, 15 October 2024
Deconstructing Geometric Art
I was set the task in my first Design Projects module to find an example of geometric abstract art I liked and then to deconstruct it. By deconstructing I mean recognising the simple shapes, such as rectangles or circles, that make up the composition and redrawing it with only these basic shapes. At first I was unsure there would be an example of this abstract art that I was appealed to however I was particularly drawn to an unnamed piece by Nicholas Dubreuille.
The reason I like this artwork is because whilst the artist only uses one basic shape, he has been able to successfully create a sense of depth in the photo making you see the rectangles as if they are floating above one another. I think this is down to the layering of different colours in addition to the very light shading behind the shapes. All this creates an impressive composition that really appears as if it is jumping out from the paper it is drawn upon.
From this artwork I was able to redraw it myself removing the colour and focusing on only the basic overlapping shapes it is made up. This enabled me to better see how the interlocking rectangles come together to make this piece and giving me an appreciation of what can be achieved by using only basic interlocking geometric shapes.Tuesday, 1 October 2024
Drawing a tree, how hard can it be?
Actually, it's easier than I thought!
Whilst you would think a landscape architecture student would already be well-practised in landscape drawing for me that was untrue. Before deciding to study landscape architecture most of my artwork had been focused on the architecture of buildings. I had stayed well away from anything with even a blade of grass near, being under the impression I would be drawing every individual leaf for hours on end. Sparking the fear I would have another cathedral-sized task.
| Florence Cathedral - pen drawing |
However, with the help of many YouTube videos over the summer, I have developed multiple ways to sketch any tree quickly with either a fine liner pen or a pencil whilst still being accurate to its true form. Below is my quickest method:
1. Draw the outline of the lowest leaves of the tree, using random disconnected lines
2. Continue using disconnected lines to draw the outline of the rest of the tree's leaves making sure your lines are very random looking, whilst keeping an accurate shape.
3. Next, draw the trunk of the tree connecting up to the outline of the leaves.
4. Here you will have to decide where the light is coming from, I have decided the sun is at the top left, from this you can add vertical shading where the trunk is likely to be darkest (for my tree, the right-hand side). As well you can add lines to represent the detail of the bark.
5. Finally add more random lines this time horizontally inside the outline of the tree head to represent the leaves, making sure to add a lot more lines on the side of the tree that will be darker due to the suns position.
Remember, the key to this is drawing randomly with little thought to where your marks are. This gives a more natural look to the tree as in real life the leaves on trees appear very random.![]() |
| More examples of this method |















